Yasuhiro Morinaga - The Voice of Inconstant Savage

This multifaceted, polyphonic and immersive sound installation by Yasuhiro Morinaga links the historical encounter of Portuguese culture with Japan, memories and myths that remain and co-exist with other minority cultures in the Amazon.

21 Sep 2024 – 13 Jan 2025
10:00 – 18:00  Closed on Tuesday
Free admission - Subject to collection of a ticket on the same day

 

Yasuhiro Morinaga (Japan, 1980) is a sound artist and sound designer who has developed a particular interest in conducting ethnographic fieldwork and documenting sound and music internationally.

As an artist, Morinaga has created installations and theatrical performances featuring an auditory culture.

Morinaga’s immersive works encourage an awareness of the sound that is unnoticed in everyday life.

Commissioned for the ‘Engawa – Japanese contemporary art season’, ‘The Voice of Inconstant Savage’ (2023) is an immersive installation that theatrically juxtaposes a recitation based on a Portuguese missionary report in the 16th century, a chant of the ‘Kakure-Kirishitan’s Oratio’, which is rooted in Nagasaki Prefecture, a singing of the Karawara spirits of the indigenous Awá people living in the Amazon rainforest, and a chorus of Western Gregorian chant, questioning where the aesthetics of inconstancy lie in relation to the discourse of savagery that modern society is faced with.

This work collates reports of missionary work by 16th-century missionaries to other cultures and constructs narratives through recitation, addressing impressionistic perspectives on the Japanese, indigenous peoples, and Portuguese (Western) peoples, forming a sonic tornado that undulates through time and space with Mother Earth.

Morinaga explore the place of an “aesthetic of inconstancy” to create a society without discrimination, blowing away the savagery from the past to the present day.

The exhibition is designed to create a space recalling the small hidden “Nando” Room of the Kakure Kirishitan, a narrow space with a tatami floor that can accommodate three to five people.

Visitors who take off their shoes at the entrance enter the dark exhibition space and sharpen their physical and auditory senses, stepping on fallen leaves with bare feet until they reach and sit on the tatami floor.

 

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Dettagli

  • gulbenkian.pt
  • Centro de Arte Moderna (CAM)Rua Marquês de Fronteira, 21070-295Lisboa
  • Da 21 set, 2024 a 13 gen, 2025
  • Gratuito